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George Grosz
July 26, 1893 – July 6, 1959
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George Ehrenfried Gross was born on
26 July 1893 in Berlin into the family of Karl Ehrenfried
Gross, an innkeeper, and his wife Marie Wilhelmine Luise.
His father died when George was only seven years old. Together
with his mother he lived alternately in Berlin and Stolp in
Pomerania, where George started secondary school in 1902.
In 1908 the rebellious youth was expelled from school for
after being hit by the teacher; he returned the favour by
punching his teacher in the face. His time off schooling allowed
George to pursue his main passion of painting and drawing
and after passing the entrance exam, he began his studies
at the Royal Academy of Art in Dresden in 1909. While in the
Academy he specialized in graphic art and started to co-operate
with satirical magazines as early as 1910. In 1912 Grosz joined
the graphic art course at the College of Arts and Crafts in
Berlin and in 1913 he spent several months in Paris at Colarossi's
studio where he began his first book illustrations and began
learning to paint in oils. |
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In 1914 Grosz volunteered for military service;
like many other artists, he embraced the first world war as
"the war to end all wars", but he was quickly disillusioned
and was given a discharge after hospitalization in 1915. In
January 1917 he was drafted for service, but in May he was
discharged as permanently unfit. During this period in Berlin,
Gross met various authors, artists and intellectuals, among
them those with whom he would found the Berlin Dada later
that same year.
Grosz was arrested during the Spartakus Uprising, also known
as the January uprising, which was a general strike (and the
armed battles accompanying it) in Germany from January 5 to
January 12, 1919. Its suppression is considered to mark the
end of the German Revolution. George, however, escaped using
fake identification documents; he joined the Communist Party
of Germany (KPD) in the same year. In 1921 Grosz was accused
of insulting the army, which resulted in a 300 German Mark
fine and the destruction of the collection Gott mit uns ("God
with us"), a satire on German society. Grosz left the
KPD in 1922 after having spent five months in Russia and meeting
Lenin and Trotsky, because of his antagonism to any form of
dictatorial authority. All these scandals however only helped
consolidate his fame. |
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In 1924 the artist became chairman of the artists' association
"Rote Gruppe" or Red Group and until 1927 he was a regular
contributor to Communist publications. In 1928 he co-founded the
"Association Revolutionärer Bildender Künstler Deutschlands"
(German Association of Revolutionary Artists). |
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Bitterly anti-Nazi, Grosz left Germany in
1932 after being invited to lecture to the Arts Student League
in NY. Grosz visited the USA and in the following year emigrated
there together with his wife and two sons. Once back in the
United States he resumed teaching with the Art Students League
in New York where his behaviour changed radically –
there were no more attacks on society, the artist's commitment
to the class struggle was gone. Grosz later wrote: "My
motto at this time was now to give offence to none and be
pleasing to all.” Grosz taught at the Art Students League
till 1936 where he then started a private school for the next
year until he received a Guggenheim fellowship grant, which
enabled him to devote time to his own work.
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In 1938 Grosz was stripped of his German citizenship and numerous
of his works were burnt by the Nazis. He then took up permanent
citizenship status in the United States. He continued to exhibit
regularly and in 1944 he painted a canvas entitled “Hitler
in Hell” showing the dead attacking Hitler. In 1946, he published
his autobiography. In the 1950s he opened a private art school at
his home and also worked as Artist in Residence at the Des Moines
Art Center. |
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| In 1954 Grosz was elected to the American
Academy of Arts and Letters and in 1958 to the Academy of
Fine Arts of Germany. His last works in America were collages,
which partly recall his Dada period and partly were influenced
by Pop Art.
In 1959 Grosz returned to Berlin for good, and only a month
later he died there, after falling down the stairs following
a night of hard drinking in his house.
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