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Otto Dix
December 2, 1891 – July 25,
1969
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Otto Dix was born in Unternhaus, Germany in 1891.
After attending elementary school he worked at various jobs until
he was nineteen when he became a student at the Dresden School of
Arts and Crafts. To help fund his education, he accepted commissions
and painted portraits of the local people.
At the outbreak of the First World War in 1914, Dix volunteered
for the German army and in the autumn of 1915 was sent to the Western
Front where he served as a non-commissioned officer with a machine
gun unit. He was at the Somme during the major allied offensive
during the summer of 1916. Dix was wounded several times during
the war and on one occasion nearly died when a shrapnel splinter
hit him in the neck.
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By the end of the war in 1918 Dix had won the Iron
Cross medal and reached the rank of vice-sergeant-major. He had
also developed left-wing views and his paintings and drawings became
increasingly political. Like fellow German artist George Grosz,
Dix was angry about the way that the wounded and crippled ex-soldiers
were treated in Germany and this was reflected in his paintings.
In 1923, Dix’s painting, ‘The Trench’ was purchased
by the Wallraf-Richartz Museum. When the painting was exhibited
in 1924, its depiction of decomposed corpses in a German trench
created such a public outcry that the museum's director was forced
to resign.
In 1924 Dix joined with other artists who had fought in the First
World War to put on a travelling exhibition of paintings called
‘No More War’, he also produced a book of etchings,
that was later described by one critic as "perhaps the most
powerful as well as the most anti-war statement in modern art".
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In 1933 Adolf Hitler came to power in Germany. Hitler
and his Nazi government disliked Dix's anti-military paintings and
arranged for him to be relieved from his post as art teacher at
the Dresden Academy. Dix's dismissal letter said that his work "threatened
to sap the will of the German people to defend themselves."
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Dix left Dresden and went to live in the south-west of Germany.
Soon afterwards, two of his paintings appeared in a Nazi exhibition
to discredit modern art. Later, several of Dix's anti-war paintings
were destroyed by the Nazi authorities in Germany.
Dix responded by painting more disturbing anti-war paintings
making him a popular target for the Nazis.
After the Nazis came to power, artists in Germany could only
work as an artist, buy materials or show their work, if they were
members of the Imperial Chamber of Fine Arts. Membership was controlled
by the Nazi government and in 1934 Dix was allowed to become a
member in return for agreeing to paint landscapes instead of political
subjects.
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Although Dix mainly painted landscapes during this
period, he still produced the occasional painting which contained
coded attacks on the Nazi government.
In 1939 Dix was arrested and charged with involvement in a plot
on Hitler's life. After being released he was conscripted into the
German Army and at the end of the war was captured and put into
a prisoner-of-war camp.
Dix was released in February of 1946 and returned to Dresden where
he continued to paint and create though his work suffered as he
was divided between two Germanys with opposing ideologies. Until
the end of his life he continued painting religious, landscape and
portrait paintings, but many say his work had lost the accuracy
and energy of his earlier art. He continued painting however until
his death in 1969.
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